Angels and Shepherds
Christmas in Baroque Rome and Paris
Programme
Giacomo Carissimi (1605–1674)
Salve, salve puellule
Georg Muffat (1653–1704)
Florilegium primum, Ouverture No. 3 „Gratitudo“
Ouverture, Balet, Air, Bourrée, Gigue, Gavotte, Menuet
Marc-Antoine Charpentier (1653–1704)
Alma redemptoris Mater, H. 44
Symphonie, H. 529
Bernardo Pasquini (1637–1710)
Pastorale
Marc-Antoine Charpentier
Anciennes Ô de l’Avent „O Sapientia“, H. 37
Domenico Zipoli (1688–1726)
Pastorale per il Santissimo Natale (Sinfonie da chiesa, op. 2, 1709)
přestávka
Alessandro Stradella (1639–1682)
Sinfonia avanti la Cantata
Aria del Angelo „Sù, Pastori, alla gioia“
(Cantata per il Santissimo natale „Ah! Troppo è ver“)
Aria di Pastore „Mentre ingemmano il suo viso“
(Cantata per il Santissimo natale „Si apra col riso“)
Carlo Ambrogio Lonati (cca 1645 – cca 1715)
Sinfonia a 3, Allegro
Marc-Antoine Charpentier
Dialogus inter Angelos et Pastores (Histoire de la nativité, H. 420)
Annotation
Harmonie online, 30. 12. 2018, Eva Polívková
Dialogus inter Angelos et Pastores, a work, however valuable, would probably not have been the climax of the whole programme if it had not been so ingeniously assisted. The simple but impressive lighting effects, the stage movement, the suggestive dancing, the elevation of the angel to the pulpit of a real church, all provided a feast for the ears as well as a feast for the eyes.
Artists
COLLEGIUM MARIANUM
Jana Semerádová – flauto traverso, artistic director
Lenka Torgersen – concert master
Magdalena Malá – violin
Andreas Torgersen – viola
Mélusine de Pas – viola da gamba
Ján Prievozník – violone
Jan Krejča – theorbo
Sebastian Knebel – organ
Martina Bernášková – flauto traverso
