Soirée à Dresda

Xenia Löffler has acquired an outstanding reputation in recent years with her unmistakable oboe sound and compelling interpretations. The critics praise her “completely natural virtuosity” and her “elegant tone, rich in colours and nuances.” (Klassik.com)

Since 2001 she has been a member and solo oboist of the Akademie für Alte Musik Berlin and has performed as a soloist and chamber musician with other ensembles and orchestras under renowned conductors all over the world. Sir John Eliot Gardiner’s invitation to participate as a solo oboist in his Bach Cantata Pilgrimage in 2000 was of particular importance in her musical career.
Trained at the Schola Cantorum Basiliensis, she is particularly interested in exploring unknown oboe repertory and recording it on CD. She has already released numerous solo CDs with labels such as harmonia mundi (CPE Bach Oboe Concertos, Venetian oboe concertos), Supraphon (Reichenauer and Jiránek) and Accent (Bach oboe concertos and cantatas, Dresden oboe concertos, Graun oboe concertos, and a Handel programme entitled ‘My Favourite Instrument’). Several of these recordings have received major awards or nominations, notably for the BBC Music Magazine Awards and the Gramophone Award and Diapason d’or. She pursues her passion for chamber music in concerts and recordings with such exceptional instrumentalists as Isabelle Faust, Maurice Steger, Václav Luks and Vittorio Ghielmi. With the Amphion Bläseroktett (wind octet), which she founded, she has recorded nine widely acclaimed CDs and has performed at international festivals.

Xenia Löffler gives master classes in Germany and abroad, has been artistic director of the summer academy in Neuburg an der Donau since 2018 and supervises the class for historical oboes at the University of the Arts in Berlin.

Since it was founded in 1997, the Prague ensemble Collegium Marianum has focused on presenting the music of the seventeenth and eighteenth centuries, especially by composers who were born or active in central Europe. One of the few professional ensembles specializing in this field in the Czech Republic, Collegium Marianum not only gives musical performances, but regularly also stages scenic projects.
 
The ensemble works under the artistic leadership of the traverso player Jana Semerádová who also regularly appears as a soloist with some of the eminent European orchestras. Her active research together with her study of Baroque gesture, declamation and dance, has enabled Semerádová to broaden the profile of the Collegium Marianum ensemble and present multi-genre projects featuring Baroque dance and theater. Her unique, thematic programming has resulted in a number of modern-day premieres of historical music presented each year. The ensemble has collaborated with renowned European conductors, soloists, directors, and choreographers such as Andrew Parrott, Hana Blažíková, Damien Guillon, Peter Kooij, Sergio Azzolini, François Fernandez, Simona Houda-Šaturová, Benjamin Lazar, Jean-Denis Monory, and Gudrun Skamletz.
 
Collegium Marianum has received critical acclaim both at home and abroad. The ensemble has appeared extensively on the Czech Radio and TV as well as on the radio abroad. It regularly performs at music festivals and on prestigious stages both in the Czech Republic and elsewhere in Europe, including Tage Alter Musik Regensburg, Bachfest Leipzig, Potsdam Festspiele, Mitte Europa, Festival de Sablé, Bolzano Festival, Palau Música Barcelona, Pražské jaro, or Concentus Moraviae.
 
In 2008 the ensemble started a successful collaboration with the Supraphon label. Within the “Music from Eighteenth-Century Prague” series it has launched eight recordings with music by both well-known and lesser-known composers including J.D. Zelenka, F. Jiránek, J.J.I. Brentner and J.A. Sehling.

Lenka Torgersen studied violin at the Pilsen Conservatory and subsequently at the Academy of Performing Arts in Prague under Václav Snítil. After graduating in 1998 she focused intensively on Baroque violin and honed her skills from 1999 to 2003 at the Schola Cantorum Basiliensis under the tutelage of Chiara Banchini.

From 1999 to 2012 she was concertmaster of Collegium 1704. Currently concertmaster of Collegium Marianum, she also works regularly with other Czech and international ensembles including La Cetra Barockorchester Basel, Ensemble 415, Freitagsakademie Bern, conSequenza, Ensemble Inégal, Les Traversées Baroques, Orchester der J. S. Bach-Stiftung St. Gallen and Ensemble Tourbillon. As a chamber musician and soloist she performs at major music festivals (such as the Prague Spring, Festival d’Ambronay, Festival de Sablé, Festival La Chaise-Dieu, MA Festival Brugge, Festival Oude Muziek Utrecht, Innsbrucker Festwochen der Alten Musik, Festival del Camino de Santiago and Festival Santander), and also collaborates with various leading figures in early music including Chiara Banchini, Gustav Leonhardt, René Jacobs, Andrea Marcon, Jordi Savall, Andrew Parrott and Attilio Cremonesi.

She has recorded for renowned international labels such as Harmonia Mundi, Accent, Zig-Zag Territoires and Pan Classics. In 2010 as a soloist with Collegium 1704 she recorded the instrumental works of Antonín Reichenauer, for which she received the Diapason d’Or award. In 2013 she recorded on the Supraphon label a solo CD entitled “Il Violino Boemo”, a modern-day premiere reviving the sonatas of the 18th century Czech violin virtuosi František Benda, Josef Antonín Gurecký and František Jiránek. This recording also garnered enthusiastic reviews from both Czech and foreign critics.

Flautist Jana Semerádová is a graduate of the Prague Conservatory, the Faculty of Philosophy, Charles University (Theory and Practice of Early Music), and the Royal Conservatory in the Hague, the Netherlands. She is also a laureate of the Magdeburg and Munich international competitions.
 
Jana Semerádová is the artistic director of Collegium Marianum and programming director of the concert cycle Baroque Soirées and the international music festival Summer Festivities of Early Music. She undertakes intensive archival research both at home and abroad and is engaged in ongoing study of Baroque gesture, declamation and dance. Many of her unique programmes are built around the interconnection of music and drama. Under her direction, Collegium Marianum stages several modern premieres each year. Jana Semerádová has a number of CDs to her name; her recordings with Collegium Marianum are featured as part of the successful series “Music from Eighteenth-Century Prague” on the Supraphon label, for which she has also recorded her two signature CDs “Solo for the King” and “Chaconne for the Princess“.
 
Jana Semerádová has performed at leading European concert venues and festivals (such as Bachfest Leipzig, Festival Oude Muziek Utrecht, Musikfestspiele Potsdam Sanssouci, Innsbrucker Festwochen, Händel-Festspiele Halle, Centre de musique baroque de Versailles, Festival de Sablé, the Prague Spring festival, Tage Alter Musik Regensburg, the Konzerthaus in Vienna and Berlin, Vratislavia Cantans a Palau de la Música Catalana), collaborated as a soloist with artists including Magdalena Kožená, Sergio Azzolini, Alfredo Bernardini, and Enrico Onofri, and regularly performs with the Akademie für Alte Musik Berlin, Il suonar parlante, Wrocławska Orkiestra Barokowa, Orkiestra Historyczna and Ars Antiqua Austria.
 
In 2015 she received her habilitation degree as an associate professor of flute from the Faculty of Music and Dance at the Academy of Performing Arts in Prague. In 2019 she was awarded the prize of the Prague Group of the Society for Arts and Sciences.